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The Midium

Old Blood Noise Endeavors PARTING Emily Hopkins basic glitch delay and reverb -- SIGNATURE EDITION (signed by Brady Smith)

$329.00

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Old Blood Noise Endeavors' description of the Old Blood Noise Endeavors PARTING Emily Hopkins stereo glitch delay and reverb -- SIGNATURE EDITION (signed by Brady Smith)

 

THE MIDIUM® CURATOR'S NOTE: Signature Edition

Recognizing the people behind a musical instrument's creation is as vital as recognizing the artist who plays it and the audience who appreciates it. In that spirit, The Midium® asked Brady Smith of Old Blood Noise Endeavors to please sign a run of their PARTING stereo pedals in our collection. It is The Midium®'s hope that you feel a deeper connection with your Old Blood Noise Endeavors PARTING Signature Edition, with the knowledge that Brady himself added a personal touch to the units in our collection. All of our Signature Edition pedals and instruments are priced the same as unsigned versions because we simply wanted to take an extra step for the Artists who count on The Midium® and offer a more unique and special experience every time a pedal or instrument is played.  We hope you enjoy this special pedal, as it also represents Old Blood Noise Endeavors' collaboration with Emily "The Harp Lady" Hopkins.  Enjoy!

--Cami.


EXPECT A GOOD CHANCE OF GLITCH DELAY AND REVERB.

Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together.

Dimensions: 4.25” (width) x 5” (height) x 2” (depth).


Controls

Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse.

Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance.

Depth sets the depth of the LFO.

Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope

Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle.

Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up.

Glitch creates various clock subdivisions.

Time sets the timing of the delay/reverb, as well as the reverse.

Filter sets the cutoff point of the post-dissolve filter.

Mix sets the blend of dry and wet signal.

Aux switch for tap tempo, half speed, or preset switching.

Soft-touch On/Off footswitch with relay switching for minimal switch noise